Photo by Sam Fleischner
Suckers
is not a “the” band. The Brooklyn group chooses to omit the
serious-sounding article in favor of just Suckers, which befits the
jovial quartet comprised of friends and family members. But before
taking on the name Suckers, the band went by the admittedly corny name
Feelings, inspired by a friend of the band who “doesn’t have any,” says
lead singer Quinn Walker. “I think we took it seriously for a
week,”Walker says.The group soon changed to Suckers, as it was the
first name that satisfied all members—though not everyone is a fan. “My
mom doesn’t like it,” says multi-instrumentalist Austin Fisher.
The
group did not have a well-defined plan for its sound, other than
wanting to make something catchy and leaning toward pop. “It was more
avoiding certain [sounds],”Walker says.Walker, Fisher and Pan wrote
most of the songs that appear on the group’s debut, self-titled EP,
released in April, before Aiken joined the band and had to rearrange
them for a four-piece. In a space across from Death by Audio,
the foursome crafted a sound that melded sing-a-long and anthemic
choruses, Bowie-and-Byrne-infused vocals, brass, watery guitars and
keyboards and thunking drums.
As Suckers began to turn the
group project into something legit, the band called on some fellow
Brooklynites for their expertise. Brooke Baxter, co-founder of Glasslands Gallery, and former CMJ Editor-In-Chief Kenny Herzog came on as the band’s managers, and Yeasayer’s Anand
Wilder hit the studio with the group as co-producer with Chris Moore,
who also produced albums for TV on the Radio and the Yeah Yeah
Yeahs.The band met Wilder and Yeasayer, whose members Fisher refers to
as “kindred spirits” of Suckers, on the local music circuit after
Yeasayer saw the group play at a friend’s art opening.The group only
had a few days to knock out the recording of the album, and Fisher says
that they did “as best we could on limited means.” But despite the time
restriction, the EP still garnered blog praise.
The group
carries with the album a punchy live show, complete with a variety of
instruments strewn about the stage and the band’s colorful getups—but
only when the guys feel like dressing up. “It depends on the mood,”
Aiken says. Walker explains that the face paint and the metallic capes
come out as a fun bonus to stepping outside of the norm as a performer
on stage. “It’s nice to get into character,”Walker says. Listeners will
have four chances to catch the band this month as Suckers swipes up a
Thursday-night residency at Piano’s. The group played the Lower East
Side venue last year during CMJ, but the group’s show happened to
coincide with some sort of sewage system leak at the venue. “They had
to light a bunch of incense,”Walker recalls.The band hopes for a rosier
experience this time around.
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Suckers
July 9, Piano’s, 158 Ludlow St. (at Stanton St.), 212-505-3733; 8, $8. Also July 16, 23 & 30.





