I WAS IN my early twenties, and on the rebound from a jazz bass player, a cad I adored all out of proportion and with whom I’d had heady, cathartic, atom-changing sex that invariably culminated in sweeping post-coital promises and lots of mutual weeping. Reeling from that relationship’s end, I decided in a moment of Xanax-addled logic that the best way to assuage my anguish would be to immediately replace The Bass Player with another jazz musician. It was simply too painful to consider that it was The Bass Player himself that I ached for, so I convinced myself that, really, it was jazz that I loved and jazz that I would love again.
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