“Two questions in, and it’s already utterly banal.” We’re off to a bad start. Ian McCulloch is late to the interview, his first in the U.S. for Echo and the Bunnymen’s forthcoming 11th album, The Fountain. He looks a touch disheveled, unshaven with a pair of sunglasses on, as he shakes my hand and sits down in a table in the Chelsea office, walls lined with Aerosmith gold records and a smell emanating from a bowl of cat food sitting next to us.
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