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Jan
12

Skinemax Goes For the Brain and the Crotch

In Section: ON SCREEN » Posted By: Mark Peikert
- The acting is still as cardboard as the flimsy-looking model home used as a set, but the premise of Cinemax's new After Dark series, Forbidden Science, is several notches above the usual contrived idea behind the softcore porn. Instead of people calling in to a talk radio host with their best-sex-ever stories or a hotel that prompts rediscovering the passion in a relationship, Forbidden Science is downright complicated.

In the pilot, which premiered last week, we're introduced to Bethany Montrose (Joanna Alderson), the new employee at 4Ever Innovations. Recently divorced, she's starting over with the help of old friend Colin Summers (Levi Freeman), the "brilliant but ruthless owner of 4Ever Innovations," according to the Cinemax website. Her first day on the job, she meets Julia White (Vanessa Broze)—the clone of a woman who was murdered by her husband and his lawyer lover.

Along the way, of course, there's plenty of sex, most of it as giggle-inducing as Skinemax fans might hope. The best scene in the first episode involves the murdering husband screwing his lover next to—and on top of—the sleeping clone, with a close second a scene involving Bethany fantasizing a scene that seems strangely centered on her, and not the man inside her.

But what sets Forbidden Science apart from the rest of the pack is both its twisting plot and the high production values, both of which can be attributed to creator Doug Brode, a conceptual artist who has worked on Iron Man and the upcoming Star Trek movie. No longer are the actors done a disservice with flat lighting and cheap production values. Now, the cinematography has a luster to it that only enhances the hard bodies and sex that gets equal air time with "vibrators for your mind," clones, and, in upcoming episodes, androids. For anyone who finds themselves bored on Friday nights, Forbidden Science should take the place of The Starter Wife as a guilty viewing pleasure.

Photo courtesy of Cinemax.com.
  • Currently 3.5/5 Stars.
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Posted at 01/13/2009 
 
Thank you Mark. However, as much as I'd looove to take credit for the "high production values" of our show, the truth is that this was an enormous undertaking and most of the credit for the look of the show must go to my friends/partners executive producer John Quinn, our producer Bill Burke, and of course Melanie Orr our director, and DP Simon Shohert. So while I certainly had a voice into the look and design of the show, many many people were involved, expecially John Quinn and Bill who oversaw production. I think they did an amazing job. Thanks again..and I hope you'll all check out our show! All the best, Doug Brode

 

 
 


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