Not a utensil for making art, but art itself, and labeled as such by two of the city's preeminent cultural institutions. With shows at the Metropolitan Museum and the Museum of Modern Art, we are apparently to accept this Sergoviaover-Springsteen thing, this Djangoover-Yngwie dynamic, to allow Woody Guthrie's fascist-killing machine as still life with frou-frou basket. The truth is, I'd rather take a guitar out to a dive bar to satiate my guitar fetish rather than spend the afternoon ogling it in hallowed halls. But with all those curvy instruments beckoning, to the museums I went.
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