Love and War

Channing Tatum’s ‘communicative shoulder blades’ work in this war romance

Dear John could be The Hurt Locker of romantic movies when Green Beret Staff Sergeant John Tyree (Channing Tatum) loses his stateside girlfriend Savannah (Amanda Seyfried) while serving his country in Iraq. The film has little feeling for military experience, or the sense of patriotic duty that John enunciates during the opening narration: “I am a coin in the United States Army. My edges have been rimmed and be...

Diplomatic Sense

Luc Besson and Pierre Morel revise the action movie genre and trump Tarantino in the process

DO YOU KNOW how to read action movies or do you simply obey advertising hype? From Paris With Love delivers the minimal spills and thrills to those who like action movies for escapist release, yet beyond its hype, it is also politically aware filmmaking—without the sanctimoniousness of Syriana, United 93 orThe Messenger.Those films pretend to address the post-9/11 crisis while From Paris With Love gets all up i...

Red Riding Trilogy

Michael Winterbottom brings his TV culture aesthetic to this ambitious project

SURELY IT’S SOME kind of joke that Roberto Rossellini’s War Trilogy (Open City, Paisan, Germany Year Zero) was released on the market in a newly restored Criterion edition the same time as the British noir Red Riding Trilogy. The joke’s on us, made by the gatekeepers of contemporary film culture who roll over for trendy garbage, ready to acclaim anything they think is new.

Happiness is a Warm Gun

A new Danish black comedy proves how dangerous small town life can be

The creepy-crawly Danish comedy Terribly Happy isn’t interested in satirizing small town life so much as casting a jaundiced eye on a tiny community’s rigidity, one that is more reminiscent of Shirley Jackson’s short stories or Thomas Tryon’s terrifying novel Harvest Home than Desperate Housewives.

District 13: Ultimatum

David Belle is back for more parkour antics to save a Parisian banlieu

To say that District 13: Ultimatum is the most socially conscious project former director-turned-screenwriter/producer Luc Besson (who also has his From Paris With Love in theaters at the same time) has undertaken would be a drastic understatement. More so than even the original District 13 or even the Taxi films, Ultimatum is hyper-aware of the racial underpinnings that support its gallic Escape from New York pastic...

 

Pass/Fail Superbowl Movie Teaser Round-up

Now that the Superbowl's over, introverts the world over can enjoy watching the commercials, the best part of Sunday's festivities, without partaking in the drinking, the Buffalo wings and yeah, I guess, the football. The ad-nerds at Hulu have even taken the time to meet the needs of people with drastically shortened attention spans by creating "AdZone 2010." And while the Snickers ad with Betty White surely is the cream of this year's crop, it's the movie teasers that really demand attention. Considering that these ads have to get across in 30 seconds what their stories are all about and considering how pricey they are (CNNMoney estimates that sponsors will have to pay anywhere from $1.8-2.6 million for a 30 second-spot this year), the stakes are pretty high. Viewers are distracted and just want to know on a gut basis if they want to see it or not. So to satisfy that basic need, here's a quick pass/fail guide to this year's Superbowl movie teasers. Read more

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RuPaul's Drag Race 2: Put a Miss in Front of It

As the girls file into the dressing room, they all see the note Shangela left in lipstick on the mirror after being told to sashay away, which Tyra almost immediately wipes off before claiming Shangela’s spot as her own. This, children, is what is known as foreshadowing. Read more

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Sex is Comedy: Fleshing Out What Japan's Identity Isn't Through Pink Eiga's

I never asked to be The New York Press’ go-to-guy for reviewing quirky porno on DVD. But here we are. Mind you, I’m not really complaining. It is more than a little embarrassing when I have to throw out films I never requested and frankly don’t like (I live in the suburbs (Queens), so saying that people talk about you behind your back is redundant, not to mention unduly polite). I’m not going to name names, but while I applaud the gusto of a certain no-budget group of “erotic” filmmakers that shall remain nameless, I can’t say I care for their films. Frankly, I don’t care much for porn or, at least, I don’t typically consider it to be worthy of critical thought. But I make an exception when it comes to the “Pink” films that Pink Eiga puts out. Read more

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Movie Morons Create Drama

There's a dust-up happening in Tinseltown as The Hurt Locker continues its march toward a pile of little gold statues. Read more

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Watch Four of the Five Oscar-nominated Shorts Online

Eventually one of the local cinemas may screen some of the Oscar-nominated animated shorts. But really you want to watch them online (or on a tiny screen while riding the subway). You can find four of the five at the links below. Read more

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More Film Reviews
Love and War
By Armond White
District 13: Ultimatum
By Simon Abrams
Diplomatic Sense
By Armond White
Piq and Choose
By Linnea Covington
Red Riding Trilogy
By Armond White
Happiness is a Warm Gun
By Mark Peikert
Power and Passion
By Armond White
Diseased Desires
By Armond White
Creation
By Simon Abrams
Truth on Trial
By Armond White
The Book of Eli
By Armond White
The Last Station
By Armond White
Daybreakers
By Simon Abrams
Puppy Love
By Armond White
Bad Lieutenant
By Armond White
The White Ribbon
By Armond White
It's Complicated
By Armond White
Features
Better-Than List 2009
By Armond White
Sita Sings At Last
By Felicia Feaster
Pressed for Time: X: THC
By Joshua David Stein
Twirls on Film
By Susan Reiter
Springer Awakening
By Mark Peikert
Armond White Reviews & Features
Films Reviews

Automatic Pity for the People

Fish Tank reduces Britain’s great realist filmmakers to a morose message

The 1994 Nas song “Life’s a Bitch”— one of the most cynical, yet most admired rap singles ever made—has finally found its film equivalent.The song appears on the soundtrack of the new British movie Fish Tank as to authenticate its grim story of a teenage white girl’s alienation. But the pathetic, council-flat life of runty 15-year-old Mia (Katie Jarvis) doesn’t take place in Nas’ 1990s. Despite the film’s pretenses of social realism, its contemporary-set story merely borrows those once-fashionable postures of working-class alienation. It’s the same sullen despondency that makes “Life’s a Bitch” so irredeemably phony. Both song and film pander to underprivileged self-pity.

 
 
 


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