City Arts: Three Degrees of Art
Paul Sharits made his first film Wintercourse (1962) at age 19 while studying painting at the University of Denver. There he became a protégé of Stan Brakhage, 10 years older and already in the forefront of the international film avant-garde. The beat era was evolving into counterculture, and Sharits generation began inheriting the weight of three decades of experimental film-making, as well as emotional, social and intellectual frontiers opened by psychedelics, communal living, music and new media. ---
Sharits recognized his creative territory when he observed that in cinematic narrative, fade had an effect of time forward. A group of 1970s works examined films inherent structures and this quickly became his core subject matter. He focused the viewers attention on films convulsive revolt against its remaining 19th-century visual conventions. Seeing is a learned activity, and the artist felt an ethical as well as theoretical impulse to address our most fundamental connection to the world around us. At the time, similar concerns were taken up by painters, sculptors and conceptual artists, and Sharits location works preceded installation by a number of years.
Two films, 3rd Degree (1982) and Apparent Motion (1975), are currently on view at Greene Naftali, co-presented with Anthology Film Archives, together with a number of works on paper and two of the Frozen Film Frames.
To find out more about this exhibition, head to [City Arts.]