Despicable Me
Despicable Me Directed by Pierre Coffin & Chris Renaud Runtime: 95 min.
Despicable Me poses a crucial summer question: Is it possible to enjoy a movie simply for what it is or does hype determine audience response? This 3-D animated comedy, developed by technicians from Frances Mac Guff Ligne graphic arts company, makes genuinely witty use of 3-D trompe loeil: The ladders that stretch out toward you, the objects that seem to land in your lap and the sun glare (a 3-D first!) are not a gimmicky afterthought as in Toy Story 3 or Shrek Forever After. Instead, Despicable Me has a sense of mirth, telling its story in slapstick kinetics, telling its story in slapstick kinetics,the very thing missing from recent Hollywood animation.
Whereas Pixar has devoted itself to a sappiness which saps misread as deep-feeling (they respond only to crude, obvious corporate manipulation which has now turned into patriotic fealty), theres no such intimidation in Despicable Me. It prizes the individual reflex and idiosyncratic humor through its tale of a bad-tempered inventor named Gru (voiced by Steve Carell) who wants Supermeany credit but has to compete with a mischievous young upstart, Vector (Jason Segel), who has alreadyincrediblystolen the Great Pyramid of Giza. (Its an ingenious image, establishing the films unusual style of polished, 1950s moderne like Tatis Mon Oncle.)
Mac Guff and directors Pierre Coffin and Chris Renaud specialize in mime-like humor. The plot isnt formulaic but a nearly surreal series of competitive stunts. Gru and Vectoroutrage and physicswage battle in which their temperaments are writ large. Theyre like Tom and Jerry or Itchy and Scratchy but move at anarchic speed and with wonderful assortment of gadgets. Grus big guns get outflanked by Vectors bigger gunsa dance of anxiety that salutes Mad Magazines Spy vs. Spy comics via contraption vs. contraption.
Such graphic intensity raises Despicable Me above the family movie ghetto/alibi that attaches to every Pixar release and is part of that companys lucrative ploy. Despicable Me works as adult comedy in the same intelligent sense as Dr. Seuss rhymes. And theres a Seussian moral lesson in Grus change of heart--from courting peoples disdain comes to rising above his lingering childish sense of abandon. He goes from desperate-to-be noticed to selfless--maturity learned when he babysits Margo, Agnes and Edith, three little orphans who represent different stages of cloying childhood. That alone is finer wit than anything in all of Toy Story 3.
Anyone who hates this movie can only be a Pixar shill. This is a very welcome rebuttal to Pixar sentimentality. Grus legions of yellow minions (they look like chatty little Pac-Men) could well be parodies of the Pixar masses, except even the minions are individualized by their roguish sense of humor. Two of the screenwriters, Cinco Paul and Ken Daurio, also worked on the underrated satire Bubble Boy, which probably accounts for the sardonic pokes at Pixar sentimentality (an annoying Unicorn song) and topical gags (on The Godfather, even Lehmann Brothers). This witty political commentary (a bank whose marble columns squish Atlas figures) is beyond anything in Toy Story 3, which is designed to keep one politically ignorant and in consumer mode.
Despicable Mes title teases self-pity. Gru is not unctuous like Wall-E or the old man in Up. He recalls Ebeneezer Scrooge or The Grinch (that stole Christmas), skulking and scheming in his black clothes like an Addams Family member crossed with Peter Lorre in M. And Steve Carell voices Gru great. Listen for how he responds to a begging child: The physical appearance of the pleeze makes no difference. A non-pandering animated film is rare which is why Despicable Me is so refreshingfrom its music score of Carl Stalling-worthy inventiveness (and cool title song by Pharrell) to Grus extraordinary objective to STEAL THE MOONa knowing homage to Georges Melies pioneering anime that this fine film does not disgrace. ------
Armond White will read and sign his book Keep Moving: The Michael Jackson Chronicles at the Harlem Book Fairs Schomburg Library Courtyard July 17 at 4pm.