The Laramie Project By Moises Kaufman and the Tectonic Theater Project
Among the many traps that our intensely politicized, media-glutted age has laid in the way of good art is the tendency to confuse fine intentions with fine results. We all?artists, the art public, even most critics?want to think of ourselves as sensitive, engaged human beings who refuse to be emotionally circumscribed by the "compassion exhaustion" fostered by news and hype cycles.